04 | The Killers, "Day & Age" | David Sessions It's high time we all faced the elephantine reality about the Killers: they're not going to get any better.
03 | Anathallo, "Canopy Glow" | Timothy Zila Anathallo’s melodies and jubilant harmonies are finally anchored to concise, palatable song structures.
02 | Shiny Toy Guns, "Sea of Poison" | Nicholas James McDowell This album doesn’t make an aggressive statement so much as it passively suggests that perhaps Shiny Toy Guns are more than the Best Electronic/Dance nominees.
24 | Beyoncé, "I Am ... Sasha Fierce" | David Sessions Save one song from each part, there is nothing on I Am … Sasha Fierce that sounds like it should be performed by a singer of Beyoncé's class.
14 | Taylor Swift, "Fearless" | Jacob Parrish Not a lot of groundbreaking music, but plenty of the of the catchy, guitar-jamming, country-pop mix that quickly made Taylor Swift princess of the highways.
10 | Copeland, "You Are My Sunshine" | Jordan Kurtz The sunshine hasn't really set since we last listened, slept, and repeated: it’s warm in all the same ways, bright in all the same places, and trickles into the shadows with all the same meandering subtlety.
05 | Aqualung, "Words & Music" | David Sessions Words & Music is a reverse journey into Matt Hales’ artistic chronology, finished out with appropriately historic musical references.
22 | Keane, "Perfect Symmetry" | David Sessions The genius of Keane's new direction is that, like Coldplay on Viva la Vida, it allows them to meet fans and critics halfway without exposing their reluctance to really try something new.
10 | Oasis, "Dig Out Your Soul" | Nathanael Kurcab Oasis has now reached middle-age, and with it comes LP Number 7. These eleven cuts reveal the same old band, still grubbing for the soul they captured as much younger men.
03 | Chairlift, "Does You Inspire You" | David Sessions Does You Inspire You is a window-dressed shop of styles and ideas, the false starts and experiments of a band still deciding what exactly to wear.
01 | Family Force 5, "Dance or Die" | Timothy Zila Dance or Die is more a foretaste of Family Force 5's bright future than an entirely coherent album. But it is intermittently brilliant, which may be as good as saying it’s the best Christian album of the year.
September 2008
29 | Anberlin, "New Surrender" | David Sessions Unlike Tooth & Nail graduates of the past, Anberlin's major-label debut is as mature as it should be, and will provide their new acquaintances a respectable summary.
25 | Deas Vail, "White Lights EP" | Jordan Kurtz Do not mess with Deas Vail. They are not here to spoon feed you candy-pop ditties. They're here to kill you with their dark emotional feelings. Kill you to death.
24 | TV on the Radio, "Dear Science" | Nathan Martin There may be a “Golden Age coming around,” but for right now it’s a pretty dark place, and Dear Science is a lament for what could be.
18 | Earlimart, "Hymn and Her" | David Sessions Girl-and-boy duo Earlimart release their sixth album, and it doesn't do much to stir their hazy, melodic continuum.
16 | Kyle Andrews, "Real Blasty" | Timothy Zila Every element of Andrews’ songwriting has matured, and the result is an entertaining, self-assured second record.
03 | Francesca Battistelli, "My Paper Heart" | Jordan Kurtz Whether due to the inner workings of a sexist industry, or the temptation to strip down and sell out, it makes a "total package" girl like Battistelli a breath of fresh radio-ready air.
11 | Kevin Max, "The Blood" | David Sessions Not Christian music so much as a study of Christian music, this record nostalgically holds up gospel music in its purer form.
04 | Britney Spears, "Blackout" | David Sessions With this generally rewarding record, Britney might displace Fergie as America's most ubiquitous female artist.
03 | Lifehouse, "Who We Are" | Stewart Lundy
With a tired load of unintentionally sexual lyrics and ad-nauseum repetition, Lifehouse gives up quality for Jesus.
09 | Anberlin, "Cities" | David Sessions Anberlin's near-perfect third record is an example for every garden variety pop-punk band struggling to be heard.